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Guarantee Tadalafil Money Guaranteetadalafil O O Save Tadalafil Save Tadalafil 1 Pt 1 Save Tadalafil Archives June/July/August 2009

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 D Wigmore Fine Art, Inc. in New York, usually doesn’t advertise works by California artists, but in the June issue of American Art Review she reproduces Paul Sample’s watercolors California Goldmine and Loading Cargo.  The Cooley Gallery in Old Lyme, Connecticut reproduces an East Coast view by Arthur Merton Hazard.

 Rich Reitzell, a descendant of early twentieth-century figure and landscape painter Jean Mannheim, is putting together a biography and is trying to locate as many Mannheim paintings as possible.  Do you own a Mannheim or know of one in an obscure location or collection?  If so, please contact Rich at rwreitzell@aol.com or 805-529-8328.  He will also be at the HCC annual dinner and would enjoy meeting you personally.

 Bodega Bay Heritage Gallery Monthly for May 2009 contains an article “Palm Desert Museum Features Three Desert Painters” by Ann Japenga.  See www.bbhgallery.com/BBH_Gallery_Monthly.htm.  “Palm Desert was a hang-out and a refuge for the often-broke early desert artists.  Bill Bender camped under an Ironwood tree here, and Fred Chisnall sold paintings out of his truck.”  The third artist is Sally Ward.  “The museum, housed in an old firehouse, is tucked among elite boutiques and galleries on El Paseo.”  The Monthly also contains a biography of Florence Upson Young who was active in Alhambra, California.

 The Pasadena Society of Artists formed in 1925 but is still active and has its own website pasadenasocietyofartists.org.  One page details a history of the organization and other pages give biographical information on the Society’s member artists through the years.

 The Bowers Museum’s California Arts Council met for its annual luncheon on March 8, 2009.  Lecturer was Janet Blake of the Laguna Art Museum who helped curate the recent William Wendt retrospective.  On view were the Bowers’ two Wendt paintings, which were recently conserved with funds provided by the Council.  The group continues to conserve and display the museum’s art collection, which was formerly relegated to storage.

 On June 13, 2009 the Bowers’ California Arts Council will make a day trip to Rancho Los Alamitos Historic Ranch and Gardens in Long Beach.  The 28,500 acre rancho was created in 1806 as one of five parcels going to heirs of the original rancho owner Manuel Nieto.  The Council’s interest is in the California plein air paintings that decorate the ranch house.  These were collected by one of the owners, Florence (Mrs. Fred) Bixby after 1906.  Included in her collection were works by Hanson Puthuff, Marie Kendall, Hardy Gramatky, and Milford Zornes as well as Western artists Frank Tenney Johnson, Maynard Dixon and Edward Borein.  She also owned work by Loren Barton, Frank Benson, Paul DeLongpre, and Gardner Symons not to overlook several East Coast American artists of the early twentieth century.  In 1968 the house and gardens were given to the City of Long Beach to maintain and develop as a regional historic and educational facility.  Most of the original paintings were distributed to heirs but several still hang in the house.  Of those in the hands of heirs, some have been “returned” in the form of digital reproductions so that the house appears furnished as it was in the early twentieth century.   Sculptures by Harriet Frishmuth and Haig Patigian decorate the grounds.  The Bowers’ Council will view the artwork and the gardens (also developed by Florence Bixby) and partake of a buffet in the patio.

 The American Art Council of the Los Angeles County Museum of Art made a day-trip to Orange County on Saturday, May 16, to view two exhibits:  Illumination: The Paintings of Georgia O’Keeffe, Agnes Pelton, Agnes Martin and Florence Pierce at the Orange County Museum of Art and also The Good Life, California Watercolors, 1930-1950 at the Irvine Museum.

 Josh Hardy Galleries of Carmel and San Francisco has issued its first Quarterly, v. 1, issue 1, May 2009.  It contains thumbnail photos of selected paintings on view at both locations along with several articles about California art.  For further information see www.hardygalleries.com. 

 On Thursday, May 7, 2009, 5 p.m. Ruth Peabody’s Boy and Dog sculpture was re-installed at Jahraus Park in Laguna Beach across from the Laguna Art Museum.  The 1935 bronze, the city’s oldest piece of public art, recently underwent a $26,000 conservation.  Speakers at the re-dedication party at Marion Meyer Contemporary Art included LAM Director Bolton Colburn.  At the museum, on the lower level, several works by Peabody from the permanent collection were on view.  Peabody came to Laguna Beach in 1924 with her artist mother Elanor Colburn.  She painted, taught art, and sculpted.

 June 13, 2009, 10 a.m.  The Ninth Annual Antique and Contemporary Tile Sale, California Heritage Museum, Santa Monica.  The sale brings together specialist dealers and craftsmen.  Tickets are $5, but $10 early-birds can gain access at 9 a.m.

 Stone Houses of the San Fernando Valley is the name given to a small but interesting collection of archival papers housed in Special Collections Oviatt Library at California State University Northridge.  These papers, donated by Albert Knight, consist of his notes, news clippings, interviews and photographs for his manuscript “Stonehurst – a 1920s Stone House Neighborhood”.  Stonehurst is a housing development in Sun Valley or the Shadow Hills area along the south edge of the Tujunga Valley in the NE part of the San Fernando Valley.  The houses in the area were constructed from the native stone debris.  For finding aid, see library.csun.edu/Collections/SCA/SC/FG/fdgds2f.html.

 The Laguna Art Museum Members’ Magazine 2009 reproduces some recent acquisitions including the watercolor Approaching Storm by Santa Barbara Regionalist Standish Backus; Cluster of Balls by modernist animator Oskar Fischinger; andUntitled by modernist movie-artist Jules Engel.

 Robert Lee Eskridge (1891-1975) who painted in California, Washington and Hawaii, left a number of watercolors that have come into the hands of Sherburne Antiques & Fine Art, Inc. in Olympia, Washington.  Ten depict Nevada (mostly Virginia City, 1956); four are of Portugal; one is of Union Square, San Francisco.  There are other scenes.  360-357-9177.  Contact  Sherjean@netscape.net.

 On Saturday, May 2, 2009, the Historical Art Council of the Laguna Art Museum made a one-day trip to Palm Springs.  It visited three private collections.  The first was that of Earl and Barbara Hoover who live in a home built in the 1920s and who collect early Western American art and artifacts.  At the home of Rick Silver and Robert Hayden the group viewed paintings and sculpture by Los Angeles artists from the 1950s to the present including John McLaughlin, Lorser Feitelson, Emerson Woelffer, Peter Krasnow, and Roger Kuntz.  Final stop was a visit with Mark and Jan Hilbert who live in a Spanish Revival home built in 1929 located on an acre of grounds.  The Hilberts have restored the house to its original look using period Spanish furniture, Mexican ceramics from the 1920s and 1930s and oil paintings and watercolors by such artists as Hernando Villa, Millard Sheets, Joseph Mora, Rex Brandt, and Alfredo Ramos Martinez.

 A gouache-on-board painting measuring 9 x 10 in. donated to the Goodwill and posted for auction on its website (shopgoodwill.com) turned out to be a real work by Maynard Dixon, according to two appraisers.  The item, on which the bidding closed April 13, fetched more than $35,000 when astute collectors vied for it.  “Blackfoot Indian” 1917 is believed to be part of a group commissioned by the Great Northern Railroad Co., which prompted Dixon to travel to a Blackfoot Indian camp near Montana’s Glacier National Park to draw and paint.  See more Salt Lake Tribune, April 12, 2009 (www.sltrib.com).

 Ralph Love paintings are being offered in Calistoga at the Lee Youngman Gallery.  Love (1907-1992) was active primarily in Southern California where he worked also as a pastor and evangelist.  He studied with Sam Hyde Harris and Edgar Payne and lived in various towns including Yucaipa and Temecula.  Many of his paintings depict Arizona, and in the 1960s one was reproduced on the cover of Arizona Highways.  Youngman is the daughter of the artist.  For more information, view www.leeyoungmangalleries.com.

 Art by historic and contemporary artists of California’s Central Coast is being collected by the San Luis Obispo Art Center, so writes Gordon Fuglie, formerly associated with the Laband Art Gallery in Los Angeles and now Curator of Exhibitions and Collections at the SLO Art Center.  The collection is just in its nascent phase but Fuglie invites gifts of works by historic artists.  See www.SLOArtCenter.org. 

Permanent displays of historic (pre-1945) California paintings can be found at many California institutions.  These are listed on www:CaliforniaArt.com in the “Galleries” section (scroll down to Museums).  Several institutions have already put their permanent collections (including California works) on-line.

 (See earlier Newsletters for exhibits that might still be on view.)

 Through July 26, 2009.  Nicholas S. Firfires: Views from his Saddle, Santa Barbara Historical Museum.  Firfires (1917-1990) studied art in Los Angeles at Art Center School and Otis but spent most of his career in Santa Barbara painting themes of the American West.  This is the first museum exhibition of his work and it was guest curated by Marlene R. Miller, a trustee of the Museum and owner of Arlington Gallery in Santa Barbara.